was first published in 1974 and shortlisted for the Booker Prize that year.
Two women share an apartment in London and work at a wine factory. Brenda, who left her abusive husband in the country, is afraid to speak up for herself and gets pushed around by other people. Freda, an outspoken dreamer, is bossy and likes to feel that she has control over her less-fortunate roommate. Freda has planned an outing for all of the employees at the factory.
At the outing Brenda discovers Freda lying dead in the bushes ...
Beryl Margaret Bainbridge (21 November 1932 – 2 July 2010) was an English writer from Liverpool. She was primarily known for her works of psychological fiction, often macabre tales set among the English working class. Bainbridge won the Whitbread Awards prize for best novel in 1977 and 1996; she was nominated five times for the Booker Prize.
The Fixer is the winner of the 1967 National Book Award for Fiction and the 1967 Pulitzer Prize for Fiction.
The Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel.
Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.
Bernard Malamud, (born in 1914 in Brooklyn, New York; died in 1986), was an American novelist and short-story writer who made parables out of Jewish immigrant life. His novel The Fixer (1966), which takes place in tsarist Russia, is the story of a Jewish handyman unjustly imprisoned for the murder of a Christian boy, won Malamud a Pulitzer Prize.
The Fixer is the winner of the 1967 National Book Award for Fiction and the 1967 Pulitzer Prize for Fiction.
The Fixer (1966) is Bernard Malamud's best-known and most acclaimed novel -- one that makes manifest his roots in Russian fiction, especially that of Isaac Babel.
Set in Kiev in 1911 during a period of heightened anti-Semitism, the novel tells the story of Yakov Bok, a Jewish handyman blamed for the brutal murder of a young Russian boy. Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.
Bernard Malamud, (born in 1914 in Brooklyn, New York; died in 1986), was an American novelist and short-story writer who made parables out of Jewish immigrant life. His novel The Fixer (1966), which takes place in tsarist Russia, is the story of a Jewish handyman unjustly imprisoned for the murder of a Christian boy, won Malamud a Pulitzer Prize.
As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance. When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two - and the life Gifty dreamed of slips away.
Years later, desperate to understand the opioid addiction that destroyed her brother's life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought. Tracing her family's story through continents and generations will take her deep into the dark heart of modern America.
Transcendent Kingdom is a searing story story of love, loss and redemption, and the myriad ways we try to rebuild our lives from the rubble of our collective pasts.
Yaa Gyasi (born 1989) is a Ghanaian-American novelist whose debut novel, Homegoing, brought her, at age 26, National Book Foundation's "5 under 35" honors for 2016.
As a child Gifty would ask her parents to tell the story of their journey from Ghana to Alabama, seeking escape in myths of heroism and romance. When her father and brother succumb to the hard reality of immigrant life in the American South, their family of four becomes two - and the life Gifty dreamed of slips away.
Years later, desperate to understand the opioid addiction that destroyed her brother's life, she turns to science for answers. But when her mother comes to stay, Gifty soon learns that the roots of their tangled traumas reach farther than she ever thought. Tracing her family's story through continents and generations will take her deep into the dark heart of modern America.
Transcendent Kingdom is a searing story story of love, loss and redemption, and the myriad ways we try to rebuild our lives from the rubble of our collective pasts.
Yaa Gyasi (born 1989) is a Ghanaian-American novelist whose debut novel, Homegoing, brought her, at age 26, National Book Foundation's "5 under 35" honors for 2016.
NEW YORK CITY, the near future: Mitchell Zukor, a gifted young mathematician, is hired by a mysterious new financial consulting firm, FutureWorld. The business operates out of a cavernous office in the Empire State Building; Mitchell is employee number two. He is asked to calculate worst-case scenarios in the most intricate detail, and his schemes are sold to corporations to indemnify them against any future disasters. This is the cutting edge of corporate irresponsibility, and business is booming. As Mitchell immerses himself in the mathematics of catastrophe--ecological collapse, global war, natural disasters--he becomes obsessed by a culture's fears. Yet he also loses touch with his last connection to reality: Elsa Bruner, a friend with her own apocalyptic secret, who has started a commune in Maine. Then, just as Mitchell's predictions reach a nightmarish crescendo, an actual worst-case scenario overtakes Manhattan. Mitchell realizes he is uniquely prepared to profit. But at what cost? At once an all-too-plausible literary thriller, an unexpected love story, and a philosophically searching inquiry into the nature of fear, Nathaniel Rich's Odds Against Tomorrow poses the ultimate questions of imagination and civilization. The future is not quite what it used to be.
Nathaniel Rich (born March 5, 1980) is an American novelist and essayist. He is the author of the 2013 novel, Odds Against Tomorrow, the 2008 novel, The Mayor's Tongue and the 2005 nonfiction book, San Francisco Noir: The City in Film Noir from 1940 to the Present. Rich has written essays and criticism for The New York Review of Books, Vanity Fair, The New York Times Magazine, Harper's Magazine, Rolling Stone, and Slate.
Rich is an alumnus of Yale University, where he studied literature. After graduation he worked on the editorial staff of The New York Review of Books. He moved to San Francisco to write San Francisco Noir, which the San Francisco Chronicle named one of the best books of 2005.[9] That year he was hired as an editor by The Paris Review.
The Mayor's Tongue was described by Carolyn See in The Washington Post as a "playful, highly intellectual novel about serious subjects -- the failure of language, for one, and how we cope with that failure in order to keep ourselves sane."
NPR's Alan Cheuse called Odds Against Tomorrow a "brilliantly conceived and extremely well-executed novel...a knockout of a book." Cathleen Schine wrote, in the New York Review of Books, "Let's just, right away, recognize how prescient this charming, terrifying, comic novel of apocalyptic manners is...Rich is a gifted caricaturist and a gifted apocalyptist. His descriptions of the vagaries of both nature and human nature are stark, fresh, and convincing, full of surprise and recognition as both good comedy and good terror must be."
Rich is the son of New York Magazine writer and former New York Times columnist Frank Rich, and brother of writer Simon Rich.
Rich is an alumnus of Yale University, where he studied literature. After graduation he worked on the editorial staff of The New York Review of Books. He moved to San Francisco to write San Francisco Noir, which the San Francisco Chronicle named one of the best books of 2005.[9] That year he was hired as an editor by The Paris Review.
The Mayor's Tongue was described by Carolyn See in The Washington Post as a "playful, highly intellectual novel about serious subjects -- the failure of language, for one, and how we cope with that failure in order to keep ourselves sane."
NPR's Alan Cheuse called Odds Against Tomorrow a "brilliantly conceived and extremely well-executed novel...a knockout of a book." Cathleen Schine wrote, in the New York Review of Books, "Let's just, right away, recognize how prescient this charming, terrifying, comic novel of apocalyptic manners is...Rich is a gifted caricaturist and a gifted apocalyptist. His descriptions of the vagaries of both nature and human nature are stark, fresh, and convincing, full of surprise and recognition as both good comedy and good terror must be."
Rich is the son of New York Magazine writer and former New York Times columnist Frank Rich, and brother of writer Simon Rich.
NEW YORK CITY, the near future: Mitchell Zukor, a gifted young mathematician, is hired by a mysterious new financial consulting firm, FutureWorld. The business operates out of a cavernous office in the Empire State Building; Mitchell is employee number two. He is asked to calculate worst-case scenarios in the most intricate detail, and his schemes are sold to corporations to indemnify them against any future disasters. This is the cutting edge of corporate irresponsibility, and business is booming. As Mitchell immerses himself in the mathematics of catastrophe--ecological collapse, global war, natural disasters--he becomes obsessed by a culture's fears. Yet he also loses touch with his last connection to reality: Elsa Bruner, a friend with her own apocalyptic secret, who has started a commune in Maine. Then, just as Mitchell's predictions reach a nightmarish crescendo, an actual worst-case scenario overtakes Manhattan. Mitchell realizes he is uniquely prepared to profit. But at what cost? At once an all-too-plausible literary thriller, an unexpected love story, and a philosophically searching inquiry into the nature of fear, Nathaniel Rich's Odds Against Tomorrow poses the ultimate questions of imagination and civilization. The future is not quite what it used to be.
Nathaniel Rich (born March 5, 1980) is an American novelist and essayist. He is the author of the 2013 novel, Odds Against Tomorrow, the 2008 novel, The Mayor's Tongue and the 2005 nonfiction book, San Francisco Noir: The City in Film Noir from 1940 to the Present. Rich has written essays and criticism for The New York Review of Books, Vanity Fair, The New York Times Magazine, Harper's Magazine, Rolling Stone, and Slate.
Rich is an alumnus of Yale University, where he studied literature. After graduation he worked on the editorial staff of The New York Review of Books. He moved to San Francisco to write San Francisco Noir, which the San Francisco Chronicle named one of the best books of 2005.[9] That year he was hired as an editor by The Paris Review.
The Mayor's Tongue was described by Carolyn See in The Washington Post as a "playful, highly intellectual novel about serious subjects -- the failure of language, for one, and how we cope with that failure in order to keep ourselves sane."
NPR's Alan Cheuse called Odds Against Tomorrow a "brilliantly conceived and extremely well-executed novel...a knockout of a book." Cathleen Schine wrote, in the New York Review of Books, "Let's just, right away, recognize how prescient this charming, terrifying, comic novel of apocalyptic manners is...Rich is a gifted caricaturist and a gifted apocalyptist. His descriptions of the vagaries of both nature and human nature are stark, fresh, and convincing, full of surprise and recognition as both good comedy and good terror must be."
Rich is the son of New York Magazine writer and former New York Times columnist Frank Rich, and brother of writer Simon Rich.
Rich is an alumnus of Yale University, where he studied literature. After graduation he worked on the editorial staff of The New York Review of Books. He moved to San Francisco to write San Francisco Noir, which the San Francisco Chronicle named one of the best books of 2005.[9] That year he was hired as an editor by The Paris Review.
The Mayor's Tongue was described by Carolyn See in The Washington Post as a "playful, highly intellectual novel about serious subjects -- the failure of language, for one, and how we cope with that failure in order to keep ourselves sane."
NPR's Alan Cheuse called Odds Against Tomorrow a "brilliantly conceived and extremely well-executed novel...a knockout of a book." Cathleen Schine wrote, in the New York Review of Books, "Let's just, right away, recognize how prescient this charming, terrifying, comic novel of apocalyptic manners is...Rich is a gifted caricaturist and a gifted apocalyptist. His descriptions of the vagaries of both nature and human nature are stark, fresh, and convincing, full of surprise and recognition as both good comedy and good terror must be."
Rich is the son of New York Magazine writer and former New York Times columnist Frank Rich, and brother of writer Simon Rich.
