What We Can Know is the 18th novel by author Ian McEwan, published in 2025 by Jonathan Cape. The novel is set almost a century in the future, in 2119, in a UK partially submerged by rising seas, and is centered on Tom Metcalfe, an academic at the fictional University of the South Downs, who is investigating a lost poem, read aloud at a party in 2014.
McEwan has described the book as a work of science fiction "without the science." In the book, people in 2119 call the first half of the 21st century "the Derangement" because everyone knew about climate change but failed to act.
Ian McEwan, born 21 June 1948, is a British novelist and screenwriter, and one of Britain's most highly regarded writers. In 2008, The Times named him among their list of "The 50 greatest British writers since 1945".
McEwan began his career writing sparse, Gothic short stories. The Cement Garden (1978) and The Comfort of Strangers (1981) were his first two novels, and earned him the nickname "Ian Macabre". These were followed by three novels of some success in the 1980s and early 1990s. In 1997, he published Enduring Love, which was made into a film. He won the Man Booker Prize with Amsterdam (1998). In 2011, he was awarded the Jerusalem Prize. In 2001, he published Atonement, which was made into an Oscar-winning film. This was followed by Saturday (2003), On Chesil Beach (2007) and Solar (2010).
Austerlitz, the internationally acclaimed masterpiece by “one of the most gripping writers imaginable” (The New York Review of Books), is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.
Winfried Georg Maximilian Sebald was a German writer and academic. His works are largely concerned with the themes of memory, loss of memory, and identity (both personal and collective) and decay (of civilizations, traditions or physical objects). They are, in particular, attempts to reconcile himself with, and deal in literary terms with, the trauma of the Second World War and its effect on the German people.
At the time of his death at the age of only 57, he was being cited by many literary critics as one of the greatest living authors, and was tipped as a possible future recipient of the Nobel Prize in Literature.
In this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine.
As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text colour to white so no one can see. That is, until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.
When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favour, convince HR she’s Supershops material and beat out the competition.
But as Jolene is drawn further into her coworker’s private worlds and secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Soon she will need to decide if she’s ready to leave the comfort of her cubicle, even if it means coming clean to her colleagues.
Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes with it.
Natalie Sue is a Canadian author of Iranian and British descent. She spent her formative years moving around western Canada with a brief stint in Scotland, where she discovered her passion for storytelling as a means of connection and reading as a means of comfort. When she’s not writing, she enjoys bingeing great and terrible TV, attempting pottery, and procuring houseplants. She lives in Calgary with her husband, daughter, and dog. I Hope This Finds You Well is her debut novel.