Nobody ever found out what happened to Laika Martenwood, the girl who vanished without a trace on her way to school one morning. But for her sister Willa, life shattered into tiny pieces that day, and she has never been able to put them back together again.
Willa sees Laika everywhere: on buses, at parties, in busy streets. It’s been twenty-five years, and the only thing that has kept her going is her belief that her sister is alive, somewhere.
But when a dinner party conversation about childhood memories spirals out of control, a shattering revelation from one of the guests forces Willa to rethink everything she thought she knew about her past. And, out of the debris of that explosive evening, the truth of what really happened begins to emerge. Piece by piece
Writing and painting have always been my two great loves. My third is travel. I studied English and Fine Art at university and, on graduating, signed up for the Teachers for Botswana Recruitment Scheme where I was lucky enough to be posted to Maun, a village on the edge of the Okavango Delta, a vast wilderness full of extraordinary wildlife. I lived in a rondavel, bought a bicycle, adopted some stray animals, and was never happier. I’ve always been drawn to wild and beautiful places, and now live with my husband and dogs on Exmoor, where the watery skies and constantly changing colours of the landscape are a constant source of inspiration for me. Here we are surrounded by open moorland, steep wooded combes, wild ponies and a dramatic ragged coastline. In my debut novel, Things Don’t Break On Their Own, Exmoor is very much the setting for Robyn’s family home.
Things Don’t Break On Their Own was born from a single line about a dinner party scribbled in the back of my 2020 diary, and I began writing the story in earnest in January 2021. It was a joy. I was waking up at four or five in the morning with lines of dialogue or even entire scenes pummelling round my head, and, unable to sleep, I would creep downstairs to write while the rest of the household slept. I did have company: my beloved ancient lurcher, Siddley, who stayed by my side from the very first word to the last.
At seventeen, Lenora Hope
Hung her sister with a rope
Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.
Stabbed her father with a knife
Took her mother’s happy life
It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything.
“It wasn’t me,” Lenora said
But she’s the only one not dead
As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
Riley Sager is the New York Times bestselling author of seven novels, most recently THE HOUSE ACROSS THE LAKE and SURVIVE THE NIGHT. His first thriller, FINAL GIRLS, won the ITW Thriller Award for Best Hardcover Novel and has been published in more than thirty countries. His latest novel, THE ONLY ONE LEFT, will be published in June.
A native of Pennsylvania, he now lives in Princeton, New Jersey. When he's not writing, he enjoys reading, cooking and going to the movies as much as possible. His favorite film is "Rear Window." Or maybe "Jaws." But probably, if he's being honest, "Mary Poppins."
The eagerly awaited follow-up to Pulitzer Prize-finalist Tommy Orange’s breakout best seller There There —winner of the PEN/Hemingway Award, the John Leonard Prize, the American Book Award, and one of the New York Times 10 Best Books of 2018— Wandering Stars traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Indian Industrial School through to the shattering aftermath of Orvil Red Feather’s shooting in There There.
Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion Prison Castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines.
Oakland, 2018. Opal Viola Victoria Bear Shield is barely holding her family together after the shooting that nearly took the life of her nephew Orvil. From the moment he awakens in his hospital bed, Orvil begins compulsively googling school shootings on YouTube. He also becomes emotionally reliant on the prescription medications meant to ease his physical trauma. His younger brother, Lony, suffering from PTSD, is struggling to make sense of the carnage he witnessed at the shooting by secretly cutting himself and enacting blood rituals that he hopes will connect him to his Cheyenne heritage. Opal is equally adrift, experimenting with Ceremony and peyote, searching for a way to heal her wounded family.
Extending his constellation of narratives into the past and future, Tommy Orange once again delivers a story that is by turns shattering and wondrous, a book piercing in its poetry, sorrow, and rage—a masterful follow-up to his already-classic first novel, and a devastating indictment of America’s war on its own people.
Tommy Orange is a graduate of the MFA program at the Institute of American Indian Arts. An enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma, he was born and raised in Oakland, California.
In her old house by the fjord, Signe lies on a bench and sees a vision of herself as she was more than twenty years earlier: standing by the window waiting for her husband Asle, on that terrible late November day when he took his rowboat out onto the water and never returned. Her memories widen out to include their whole life together, and beyond: the bonds of one family and their battles with implacable nature stretching back over five generations, to Asle's great-great-grandmother Aliss.
In Jon Fosse's vivid, hallucinatory prose, all these moments in time inhabit the same space, and the ghosts of the past collide with those who still live on.
Aliss at the Fire is a haunting exploration of love, ranking among the greatest meditations on marriage and loss.
Jon Olav Fosse was born in Haugesund, Norway and currently lives in Bergen. He debuted in 1983 with the novel Raudt, svart (Red, black). His first play, Og aldri skal vi skiljast, was performed and published in 1994. Jon Fosse has written novels, short stories, poetry, children's books, essays and plays. His works have been translated into more than forty languages. He is widely considered as one of the world's greatest contemporary playwrights. Fosse was made a chevalier of the Ordre national du Mérite of France in 2007. Fosse also has been ranked number 83 on the list of the Top 100 living geniuses by The Daily Telegraph.
He was awarded The Nobel Prize in Literature 2023 "for his innovative plays and prose which give voice to the unsayable".
Since 2011, Fosse has been granted the Grotten, an honorary residence owned by the Norwegian state and located on the premises of the Royal Palace in the city centre of Oslo. The Grotten is given as a permanent residence to a person specifically bestowed this honour by the King of Norway for their contributions to Norwegian arts and culture.
It's 2015, and Patricia Cowan is very old. "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.
Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?
Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.
Jo Walton (born 1964) is a Welsh and Canadian fantasy and science fiction writer and poet.[1] She is best known for the fantasy novel Among Others, which won the Hugo and Nebula Awards in 2012, and Tooth and Claw, a Victorian era novel with dragons which won the World Fantasy Award in 2004. Other works by Walton include the Small Change series, in which she blends alternate history with the cozy mystery genre, comprising Farthing, Ha'penny and Half a Crown. Her fantasy novel Lifelode won the 2010 Mythopoeic Award, and her alternate history My Real Children received the 2015 Tiptree Award.
